#we are literally driving a day and a half there

[courtingchaos]

“My dad was a happy drunk.” The crackle of his inhale is right in your ear. “At least when he was still doing it regularly.” He holds the cigarette over for you to take. “I don’t know what he’s like now…like that.” He peters off for a moment, shimmying his shoulders across the old hardwood so one touches one of yours.

Laying oposite each other, heads in the crooks of each others necks, he glances over to see you staring holes through the ceiling.

“He never treated me like shit, not like that, like other kids. I can be grateful for that.” He takes the cigarette back from you when you hold it over his face. “It was after my mom died. It’s like he realized suddenly I could talk back and he forgot to treat me like a kid.” It’s his turn to stare at the ceiling while the ember dances around his words. “I was very suddenly his best friend. Always called me ‘pal’ but now? When he was home? It was like I was on the barstool next to him.” He’s not gonna cry about this. “I hated that shit.”

Another hand off, only this time he digs out his own smoke so you two can be in a haze together.

“So by the time I got to middle school, I didn’t have a dad, I had some guy who sometimes lived in the house with me.”

“Wait, you were living alone?”

He turns his head when you break your hours long silence, nodding as best he can while laying on the floor.

“Yeah. I didn’t move in with Wayne until ‘85.”

You stare at him for moment before turning back to face the ceiling.

“Anyways, it was a Fourth of July thing with some of his buddies. Someone forgot they were holding a bottle rocket and not a Roman candle and at the end of it all I had about half a head of singed hair.” He can remember the smell. Almost sour as the burnt strands crumbled on his shoulder and his dad has started laughing. Talking about near misses and being lucky but he hadn’t felt lucky. “Whole drive home he was trying to crack jokes and I wasn’t having it.” He takes a deep breath that makes the ember glow brightly. “I started crying and he told me to man up. I think he was sobering up, probably shook him to see me covered in soot.

“When we got home he took me into the bathroom and just shaved it all off. Didn’t put a fucking guard on it or anything. I don’t think I’d ever had hair that short, not since I was like…little.” He turns to stare at you then, eyes tracing the shell of your ear where your hair wisps around it in short curls. “He told me it was fine and that it looked better than before. Said the long hair made me look like a queer.”

That earns him a huff from you. One last puff of smoke into the ceiling before you stub out the butt into the ashtray near your elbow.

“I say all of that to tell you my opinion doesn’t matter. The people at work or the grocery store, it literally doesn’t matter.”

You spent the past two days crying about it but it seems your either over it or past the worst of it.

“If it upsets you, it upsets you and nothing I say is gonna make it better. I’m not gonna change your mind.” He holds his hand out across his chest and waits for you to grab it. “I’m sorry it didn’t come out the way you wanted, I know this keeps happening.”

“I didn’t think my hair meant so much to me.” You aren’t crying but the emotion weighs down your words, this he knows after years of practice.

“It’s okay that it did.”

“Feels stupid to cry over a bad haircut.”

He hums and shakes his head and doesn’t tell you it’s not stupid, you already know that. Simple things mean a lot, he knows that fickle game of attachment. He also knows that while his opinion does matter to you on some infinitesimal level, he doesn’t need to constantly remind you that it’s okay. He didn’t start a relationship with you over your hair. It’s just hair is something he’ll be able to say a few days from now when you finally start styling it and talking about a new product you bought. It’s a waiting game that he doesn’t mind waiting through, not with you. However he will remind you of one thing.

“Regardless, you’re still the prettiest girl I know.”

You laugh, something real but quiet, the first one in a few days. “Shut up.”

[archduchessofnowhere]

The tropification of Elisabeth of Austria and the perils of historical dramas without history: A review of Die Kaiserin season 1

Back in 2022 Netflix long awaited (by me at least) new historical drama about Empress Elisabeth of Austria premiered. And to my great disappointment, the series had little to nothing to do with history. Now, two years later, we are on the eve of the premiere of the series’ second season. Since I’d forgotten most of the story, I decided to do a rewatch of season 1, despite my deep dislike of it back in the day. I usually don’t do this, I truly believe that (unless you’re a paid reviewer and it’s your literal job) the only reason for watching a series should be that you like it. If it wasn’t because of my completionist drive to finish every piece of media relating to Elisabeth and analyze the hell out of it, I would’ve dropped it two episodes in. But I promised a review in 2022, and I still feel bad for not finishing writing it then. So at last, here is my review of Die Kaiserin.

Revisiting Die Kaiserin was an interesting experience, if just as frustrating as my first watch was. The character assassination of literally every real person depicted in this series is still infuriating, the costumes and hairstyles are dreadful, and the portrayal of the few historical events is so bad it makes any person with some knowledge of the time period roll their eyes and wish the series had gotten canceled in pre-production. And yet, looking at it from the outside, trying to watch it as if I were an spectator who doesn’t know nor cares about the time period and only wants to kill time with Netflix’s shine new period drama series, Die Kaiserin reveals itself exactly for what it is: a mediocre soap opera set in a half-assed court setting. Upon this rewatch I realized that the biggest crime of this series isn’t that it’s inaccurate, but how boringly predictable it truly is. It’s not that the characters are nothing like their historical counterparts, it’s that they are not characters at all. They are stereotypes, walking tropes crashed against each other like dolls in the hands of a child. And the entire plot of this series is built around serving these tropes.

Although we are not given a clear year at any point on-screen, the story begins in 1853 as it always does when it comes to Sisi media: with a young and rebellious Elisabeth learning that her elder sister Helene is going to be the emperor of Austria’s future bride. The first episode proceeds to re-imagine the fated encounter of the Duchesses in Bavaria with Franz Josef and his family, finishing with the climatic moment in which the emperor reveals that he will marry the younger Elisabeth instead of her sister, shocking everyone present (in fiction, for in real life the entire family realized right away that he had fallen in love with his cousin at first sight).

So far, the typical beginning of every piece of media about young Elisabeth under the sun. But then the series makes the bizarre choice of setting the entire season in an atemporal space in which nothing of note happens. The episodes usually take place during a brief period of time (from a couple of hours to a single day at most), yet it is uncertain how much time passes between them: days? months? Who even knows. The timeline is fuzzy, bending to the whims of the script.

You now may wonder: why does that matter? Plenty of good series don’t have clear timelines. And I agree, there are indeed good series which don’t need a clear timeline. I just don’t believe historical series about real people whose lives are well documented are one of them. Why am I tuning in the history based series and finding no history at all? Why can’t I even guess in which month are we supposed to be in?

In the later years there has been a boom of period dramas which are historical satires, historical fantasies and/or alternative history. These series take history and throw it out of the window for the sake of their plot (whether it’s romance or comedy or both). And I don’t hate them, in fact I thoroughly enjoyed plenty of them. But Die Kaiserin doesn’t belong to this genre. Die Kaiserin is supposed to be a serious historical drama. I still remember that before the series premiered the screenwriters talked about how they wanted to follow the steps of The Crown. Yet the quality of the script is far more reminiscent of the alternative history teen drama Reign. If Reign thought it was The Crown.

What is the point of taking these real people, ignoring the entire context in which they lived, and throwing them into completely fictional settings, while still claiming you’re adapting their lives? If Die Kaiserin had owned what it was, if it had not pretended to be a serious historical drama, I don’t think I would’ve been as upset as I was when the series was released. 

I realize this is a personal frustration since I know and care for the real history, and that someone who doesn’t probably didn’t notice the dozens of inaccuracies that plague this series. That’s okay. But I can’t help but feeling a deep disappointment in the fact that I’m not the target audience of a series about one of my favorite women from history. Which also makes me wonder: if not us, the people with a genuine interest in history, then who is the audience for this series?

I don’t have an answer. Not only “the general public” is as vague as it gets, time and time again “the general public” has shown they can and will love historical dramas more grounded in fact. I wholly disagree on this notion that you must “dumb down” history in order to make it more palatable. Again, audiences have shown they can enjoy complex writing - a memo I wish the screenwriters of Die Kaiserin had received. 

Because even putting the inaccuracies aside, I ultimately just don’t think the writing of this series is good. Going back to the beginning of the review, upon my rewatch I realized something: this series is almost entirely made up of well defined but poorly developed tropes. This series feels written as if it was one of those viral Tiktok books whose entire plot is just a list of popular tropes. “Love triangle with a villain”, “fierce FMC”, “betrayal”, “falls first/falls harder”; and I could go on. Any complexity is simplified in order to create an easy to watch story, every character is made into a one-dimensional caricature. It is also ironic that, despite the screenwriters’ clear attempts to distance their series from every previous portrayal of the empress - to the point of having Elisabeth disdain her nickname “Sisi”, which is never be used after the first episode - they fall into almost every already existing stereotype on Sisi media anyways. Elisabeth as a humble country girl deemed the “troublemaker” of the family? Check. Sophie as an evil mother-in-law who manipulates her son and daughter-in-law? Check. The empress reconciling the discontent masses of the empire with her kindness alone? Check check check. 

I highly doubt I’ll ever watch this season again. I simply do not like it, and I know it may not seem like it given how much I’ve been talking about this series lately, but I don’t enjoy being a hater. It’s just that I’ve been following this series since the project was first announced years ago, and I’m still mad about how much it missed the mark. Will there ever be an Elisabeth - or just 19th century Habsburg/Wittelsbach - historical series with actual history in it? As of now, sadly, it still feels like an impossible dream.

[i-am-a-secret-ssshhh]

Not me packing only 5 ish hours before I leave for a 3 day road trip. I also only just remembered that pajamas are a thing I need to pack. Yay!

[shippingmyworld]

There's a hurricane headed on a direct path for me and they're predicting it to be at least a category 3 and it's got me like

[kirbyddd]

[ragnars-tooth]

One of my big compulsions is taking a fuck ton of screenshots Just In Case a piece of information is important in like 4 years and I can't remember it (sometimes the information is an instagram post that I might not remember later and of course needs to be recorded everywhere (I will Not be looking at that again)) so today is my transfer 16000 images off my phone admin day (woo)

Like yeah I never looked at any of them and they were completely irrelevant to my daily life, But what if I need them ✨️ later ✨️ (you'll see that the idea of Later is doing a lot of heavy lifting here) OR what if there's a vital piece of information in the mix somewhere that I'll lose forever if I delete them? So: onto the external hard drive they go

This is one of those cases where. Yeah. Ideally I wouldn't take 16000 screenshots in half a year. And YEAH ideally I'd just delete them and not transfer them somewhere else to never look at again. BUT at least I get a clean slate and I can maybe not mindlessly save everything for 2 seconds. It's like. Small wins? Progress. Yknow.

[readymades2002]

if i might bitch about work for a second: yesterday was hellishly bad despite being able to keep up with it and i found out that apparently our department made 4600 dollars yesterday which is making me angry beyond belieffffffff

[popcorn-plots]

the darkhold or charcoal?

other pics from the lake

[useryennefer]

not my dad being a complete dick about my sound sensitivity

[daisyachain]

This is generalization but it does make me feel like I’m losing my mind. Anglo-American romance novels aimed at women—‘what if you, a normal person, were forced into proximity with the smuggest most self-satisfied person who physically invades your space, insults you, acts like an attention whore at best, borderline sexually assaults you, isn’t that great’ and then you go to romance manga aimed at young women—‘what if you, a normal person, we’re forced into proximity with a two faced bitch who tries to control your every move and also refuses to speak or engage with you unless it’s to isolate you from your peers or get mad at you for talking to another living person’

[hyperfixation-tangentopia]

When you're on a time crunch but your (presumably) ADHD brain decides "fuck you I want to write"

[opens-up-4-nobody]

...

[thewingedwolf]

when u tell someone who hasn’t had to apply for a job in a while “the interview process is like 6 weeks atp” they don’t believe you but a lot of employers will wait like 2 weeks to follow up, and they always need to do multiple rounds of interviews which takes a week for each round, and then there’s two more weeks of dead silence before you hear back. sometimes you’ll apply for something in january and they will call you up in the summer like “hey you still want the job” it’s crazy. they’re out here putting desk clerks through two phone interviews and two in persons at two different locations. they make the pages interview TWICE and they also have to do TWO sorting tests!! that job pays well below minimum wage, it’s a job meant for retirees and high school students why do you interview them like it requires a mlis

[milo-is-rambling]

Just remembered how one of my dedicated to people last roadtrip literally was like “oh actually I don’t think you can stay here tonight I have work early tomorrow :(“ after driving like seven and a half hours to him (and he texted me this when I was an hour away from his house and we had literally talked about my plans to stay there all day) like hello red flag red flag red flag

[strixhaven]

pc players talking about missing the combat of dao and how good it is as if they don’t have twenty million quality of life improvements and still constantly use skip combat mods. you do not want dao combat again. you hate it. take it from a console player who is forced to endure dao as it actually is: you do not want this again. you are not playing dao and you can’t even begin to understand how little you know it nor how good you have it

[on-stolen-sunbeams]

by the time I graduate I may as well have a second degree in flipping mind-reading.